I seem to be a verb - Buckminster Fuller – book – collective activity and thinking
Sound work – sculptural element of sound – gather found sound within world – moving with sound
Natural fade ins and outs
Universal Crepitation – collaborative practice – bringing different voices and experiences together
Crepitation – friction that allows new sounds to develop
Space of exhibition – education gallery – Greenwich University
Creating a landscape inside the gallery space
Work exists in specific context – changes form when situated in different places
Found materials – encountered materials – not specific art materials
Seductive quality of stones, attach them to frame so they are not static or flat – create then into nodes – cogs and processes – working in state of flux
Printed test that was transferred onto stones – contains fragments of message
Fragmenting a conversation – returning stones back to the beach – disseminating messages into world
Seepage – audience was encouraged to pick up stones – active component
Using defunct equipment – using them in a new context – things always evolving
Uses equipment as part of work and visual language of work
Hollow Objects – project
Oldest building in Hackney – project during residency – journeying through object – exploring the architecture – creatin sound installations
Covered floor in granulated cork – used rotten hollow wood trunk – different states of materiality – existing in state of flux
Converting objects into a speaker
Using audio exciters – create a sound vibration – transform into audio emitting object
Using recycled objects attached to surface – exploring location – make object out of focus – blur boundary of objectness – relates to ecologies and the planet
Creating different acoustic objects – using old fabrics – jeans/pillows wrapped in cling film – exploring environmentally damaging materials – suffocation of wrapping objects
Sub service scattering
Organismic looking shapes and forms
Using materials that are not meant to be physical and seen – explore generative processes
Work in harmony with existing spaces
Perpetual Doubt
Resting state of brain network – networks in brain that activate when not entirely concentrating – repetitive process of making – not applying critical thinking
Plying with simple materials – fluidity of materials way of visualising data processing
Aftermath of something that has occurred
Using eBay as a place to buy cheap bulk materials – using aluminium armature wire to create organic forms
Interesting organic forms - floating - gravity defying - weightless looking objects.
Can allow me to question my own use of materials within my practice - can I incorporate different materials - what do I consider art materials - is there such a thing as an appropriate material for making art? - no
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